u/n multitude is a community of artists and music historians whose practice is linked to performative and public activities. They refer to their works as “political scores”, where music offers a space for understanding social and historical conflicts through immediate experiences.
For u/n multitude a “score” therefore can be defined as a sequence of steps which connects the artist, the work and a certain political context in one single statement. “Political scores” can be interpreted as something between art and a political gesture.
In Palace of Culture (2015) u/n multitude refers to the format of the Cultural Palace from Soviet times and their educational activities. Working with the local communities of ENEA, the artists’ contribution was structured by the involvement of different amateur clubs: a vocal-instrumental ensemble, a dance and drama studio, etc. u/n multitude themselves also became involved in the amateur culture of ENEA.
The score consisted of four parts:
September 25, 2015: A dance evening and workshop lead by Anatoly Mikhailovich Mazalova.
September 27, 2015: A lecture on the self-organised community in ENEA.
September 29, 2015: A performance by “Marsh Enthusiasts” (together with the restorers of Belarus Pavilion)
October 1, 2015: A rock concert on occasion of the closing day of the biennale, where a street cover band was invited to perform in the Central Pavilion while u/n multitude switched places with their usual location at the entrance of ENEA.